Posted 3 months ago

For those still following @charltonbrooker - a metaphor perhaps?

Posted 3 months ago

listening to "mad capsule markets - fly high"

Fast, loud, upbeat j-rock…

Posted 3 months ago
Posted 3 months ago

listening to "Underworld - To Heal"

@AlabasterC That request came as I was listening to this - hopefully this can de-angerfy you. :-)

Posted 5 months ago

A little snippet of monologue by Bill Hicks… that gets sampled in a couple of cool songs*, namely “You Are Free (To Do As We Tell You)” and “We Want Your Soul”

* I say they’re cool, and that’s good enough for me. And, if you don’t already know Bill Hicks inside out, spend the rest of the day on You Tube finding out… :-)

Posted 5 months ago

Animation, with a similar theme to the last clip (but way way older). Let’s face  it, this isn’t inappropriate music at all. I’m justing taking an inappropriate music break.

Posted 5 months ago

Amusing if you like violent acts performed upon pigeons and teddy bears. Although inappropriate as ‘inappropriate music.’ But, frankly, just damn cool.

Posted 5 months ago

Here’s a video for a song I used to love to death, because it starts off all brooding and builds up into some carthatic shouting.

It’s perhaps inappropriate for all you fun loving people out there because of the subject matter. As explained by the band themselves: 

“The song ‘Hey Man, Nice Shot’ is a reaction to a well-documented public suicide, where the guy CLEARLY planted the gun in a manila envelope. Totally planned it. It is not a celebration or glorification of taking one’s own life. The phrase ‘hey man, nice shot’ is a reference to the final act itself; which, was a damn good shot and an expression of guts and determination of a person standing up for what they believe is right, i.e. self-murder, public-style. We are extremely sensitive and respectful to the family and friends of Mr. Dwyer. We have both lost friends to suicide and felt nothing but sympathy and loss for the victims, and those involved in such a tragedy.”

Pennsylvania state treasurer R. Budd Dwyer had been convicted on bribery charges in December 1986, and was expected to receive a massive sentence from U.S. District Court judge Malcolm Muir. Professing his innocence and decrying the legal system, Dwyer shot himself during a press conference with a .357 Magnum.

The song, at first, was believed to be about Kurt Cobain, who committed suicide in April 1994.

Enjoy!

Posted 5 months ago
Really enjoyed your unicorn story! Compelling and creepy from start to finish. Just realized this isn't a question, so...

May I tell you that I really enjoyed your unicorn story?
lara-p asked

Hah! Yes, you may tell me that. :-)

Posted 5 months ago

As requested for Inappropriate Friday music. This isn’t really inappropriate, but I’m hoping someone can suggest a good inappropriate band or style of music for me to find an amusing cover for.

I have a lot of Richard Cheese in mind, but someone’s going to have to make the right request. :-)

Posted 6 months ago

Bygone…

Mr Chuck Wendig (@ChuckWendig on Twitter) has regular Flash Fiction competitions. On Friday he asked for a 1,000 word story about unicorns. I’ve never entered one of these competitions, and never felt compelled to write about unicorns, especially since seeing that web post with the most atrocious unicorn tattos imaginable, but I like a challenge. Not sure exactly where to go with my unicorn tale I asked Twitter to chuck some other words at me.

Thirteen words later (from a mixture of fellow writers and at least one terrible, terrible person) I had a mix of ideas that led to the following story. Including the fourteenth word ‘unicorn’ all words are present and correct.

Enjoy. But not too much. It’s not the cheeriest tale you’ll ever read.

***

The man who answered the door couldn’t have been much older than thirty, but he wore his years badly. He peered through the crack, the chain pulled tight between door and frame. “Yeah?” he asked, looking me over. “Mr Taylor? I’m Bella Fenchurch,” I said. “Ah yes, Bella.” He seemed to relish my name on his lips. “Do come in.” He unchained his door, and stepped back, with a sweeping and exaggerated gesture to let me know I was most welcome.

I did not feel most welcome.

The flat was dimly lit by a tall lamp beside a sofa. A secondary light source became apparent as I stepped into the room, a computer monitor sitting on an old desk. Framed black and white photographs dotted the walls. A heavy grey curtain covered what was presumably a window. There was a humid smell in the air, and I imagined the furniture affected by damp and fungus. A couple of doors led off the living area, but I did not want to think about what lay beyond.

Mr Taylor picked up a plate from the sofa, and began to munch on some toast. “Please,” he said, “make yourself at home.” I chose to remain standing and gazed around as he left the room. There was the sound of the plate being added to a large pile of the same. “Would you like a drink, Bella?” he called out, “Beer? Water?”

“No, no, I’m fine thanks!” I called back, unable to take my eyes off the pictures.

The closest showed an impossibly obese woman, surrounded by children. Disturbingly, all were naked, all staring smiling towards the camera. It was like an advert for fecundity. A little plaque gave this lady a name:  MARY.

I looked to the next picture quickly. A man in a suit held his head in his hands, a head so swollen and globular I was reminded of Atlas supporting the world. A hat teetered on top. Sad eyes looked outwards. The name plaque told me this was DAVID.

A third picture had a casually dressed man in a garden, smiling. His right hand rested on the handle of an old lawnmower. It looked the perfect model of suburbia, were it not for legs that appeared to bend backwards and end with hooves.

“That’s Stephen,” a voice said behind me, too close for comfort.

I turned quickly, and smiled awkwardly. “Are these pictures real?” His smile broadened and he nodded. “This is my own little freak show. Proof to me that God has a sense of humour. You believe in God, right?”

“Ah, no, I’m agnostic,” I replied.

“What the fuck’s that?”

Easier to lie I figured. “It means no, I don’t believe in God.”

“Well… look… look at this… with the hangman and the duck… that’s –“

“Not why I’m here,” I interrupted. Looking him in the eye I reminded him. “The unicorn?”

He froze, then he remembered his spiel. “But yes, of course. Would you like to follow me?” He gestured towards one of the doors. “Not more photographs,” I said, “If you’ve got a unicorn I want to see it with my own eyes.” His eyes glittered in the lamp light.

“Trust me,” he smiled, “It’s through here.”

I didn’t speak for a second. “You keep it in your apartment? What is this, some sort of joke?” “Oh no,” he said, “please, follow me.” He opened one of the doors and disappeared into darkness for a few seconds before a dim light came on. “Please,” he called, “Come and look.”

The room was devoid of furniture, a bucket beneath a cardboard covered window. The unicorn was lying on a sodden mattress on the floor, asleep, or more likely sedated. Chains held it down, one holding its head close to the floor. Its white hide was dirty, it’s single horn tarnished by filth. Any sense of nobility had long been worn away. “Sorry about the mess,” Mr Taylor said. “Unfortunately they don’t just piss rainbows.” He laughed at his own joke. I didn’t. I didn’t know what to say.

I could feel my host looking at me, almost imagine him licking his lips before he spoke again. “I know what you’re thinking,” he finally offered. “Why am I keeping this amazing creature in these awful conditions? But look. Here’s the thing. It’s a fucking horse with a big spike on its head. It’s dangerous. Look. Look at that there.”

I looked.

“That’s his penis,” Mr Taylor explained. He paused, waiting for a reaction before continuing. “This is your unicorn equivalent of a raging bull. This thing will pierce you without a second thought. Especially a young maiden like you.”

I shot him a look. He shut up. We stared at each other.

It was the most surreal moment of my life. Neither of us spoke, both of us just watching the other whilst, feet away, a unicorn lay in its own filth. In some guy’s apartment.

“Let’s do this,” I said, breaking the silence, reaching into my bag.

“So… money… what do you want to do? You want to pet it? You want to do any of that, you know, kinky shit?”

“No,” I shook my head, “I’m going to release it.”

He froze, then burst out laughing. “Release it? How the fuck do…”

The gun caught him off guard. Seconds later a bullet drilled through his forehead and danced around in his skull. As he jerkily fell to the floor I turned towards the silent unicorn. If it was awake it showed no signs of it, the only movement being the rise and fall of its rib cage.

“You poor bastard,” I told the creature, stroking the mane away from its face, “You don’t exist. You can’t exist. Certainly not like this.” I rested the silenced gun barrel against his forehead, aligned with the horn. “God, if you DO exist… if this IS your idea of humour…  you’re one sick bastard,” I sighed.

I pulled the trigger.


***

Posted 6 months ago

And here’s some more of the same… all of these sketches were performed, just on a stage that looked like a student flat…

Posted 6 months ago
Late Night Review…
Last night was the Harry Potter film premiere. A big spectacle. Lots of people were there. Many famous ones.
I didn’t go myself, but did see the crowds during the day. Crazy!
The day had been a little hectic. I needed to sort out some tickets at Victoria coach station, and so had headed out in torrential rain. I’d dressed for rain, with my jacket and boots. Still, it turns out it is actually summer, and horribly warm. Whilst I thought it’d be quite cool to hang around London for a little while (after heading to a few shops and deciding not to spend money on a few things I really liked), five or six hours in a coat exhausted me. The evening I decided would be spent doing some sorting out at my parents’ place. Fortunately I decided not to inform them, as I stumbled across a Tweet en route that made me change direction.
Someone was offering a spare ticket to anyone interested, to a comedy show at the Soho Theatre. I figured that other people might jump at the chance but that, if not, I could probably do so. When it appears noone else has offered to take the ticket I grab a tube to Oxford Circus.
Let’s be honest. The title Gimp Fight doesn’t immediately make you think ‘Hmmmm… that sounds like a fun night out…’ Well, perhaps one or two of you are raising an eyebrow and trying not to be excited by the idea. But the fact is I’d read a little bit about it before, possibly through the Twitterfeed of the person who was offering the ticket, and knew it was a comedy show, albeit it a dark comedy show. And sometimes it’s the random opportunities in life that turn into bigger opportunities and introduce you to a larger world of experiences.
ComedyNerd, or Carol as she is known in real life, is apparently a bit of a Late Night Gimp Fight groupie, having spent much of the week seeing the show multiple times already, having claimed the same seat in the front row as her own. She was so familiar with the material that she’d previously been noted as laughing prior to the jokes, and disrupting a reviewer’s viewing of it. I didn’t know what to expect, and the flyers all show a gimp masked man cradling a baby. Or perhaps it’s more the mask of a Mexican wrestler, but in a tasteful sombre black. Either way, it didn’t quite prepare me for the show. Nor did the signs warning of full frontal nudity.
Carol, and the friend she’d been waiting with (and whose name I’ve completely forgotten now because I tend to forget names I don’t see written down or hear repeated – sorry!) are big fans of the comedy circuit, and regular visitors to the Edinburgh Festival. Carol has a list of MUST SEE acts, and a list of prices. The total at the bottom was just under £200. That’s commitment to comedy! Her friend said she usually avoided spending more than a tenner to see an act. That said Late Night Gimp Fight tickets were £15. But absolutely well worth it.
We were the first to enter the theatre, and claimed our seats in the front row. The set looked amazing (a little like the sort of thing I’m trying to conjure up for my own play at the moment), being what appeared to be some sort of small flat, a room consisting of a kitchen and lounge area with doorway off either side, presumably to a bedroom (through a bead curtain) and bathroom (with a door). A front door stage left faced the audience, as did a couch in front of it, positioned so that it was lined up with a TV on the far left of the stage. There was an Apocalypse Now poster on the wall, and a selection of boardgames, books, DVDs and CDs on the shelves (notably a Never Mind The Buzzcocks game and a couple of book by Howard ‘Mr Nice Guy’ Marks). Cuttlery lined the kitchen counter draining board. All in all it looked like a bit of a student flat, but like one where the students did actually make a point of tidying up.
The scene is set when one of the five man troupe, a young bearded gentleman, walks onto the stage through the front door, throwing his keys across the kitchen counter. He switches lights on, slumps onto the couch, and picks up a remote control. We are then introduced to an element of the show that runs throughout – a TV screen is projected onto the back wall of the set to show us various Late Night Gimp Fight adverts. Usually these brief scenes, usually doctored adverts or song videos that end with the words Late Night Gimp Fight, offer a few seconds distraction whilst the lights are down and the comedians are running into position for their next sketch. This first time though, which sets the scene, has an advert for a charity. The two gentlemen explain how there are people out there being physically and mentally tortured. And that it is up to them to help look after such people when their masters and mistresses die. They are the Prevention of Prevention of Cruelty To Gimps. “Give a gimp a fish,” explains one man, “and he’ll shove it up his arse. But give a gimp a rod…” The man pauses, then continues… “and he’ll probably shove it up his arse too…”
Once the advert finishes the stage the comedians all appear for introductions, all wearing gimp masks (and including the young bearded man who has had a mask yanked over his head). They sing “Late Night Gimp Show” to the tune of Don’t Stop Believing, one of them on stage in a wheel chair as a special nod to Glee. After the song they introduce themselves to the audience and then announce the new female member of the group who we’ve yet to see. Which proves to be something of a disaster.
There are so many very funny sketches throughout, some of which I’ll try to recall because as a ‘Worst of’ compilation this is old material they’re performing before they go on to do their new stuff at Edinburgh.
There’s a sketch about the father of a four year old who is visited by his tactless friend. After this initial meeting where he casually mentions that his son has been killed they later reappear throughout the show, with the friend displaying his lack of tact a couple of times more.
There’s a sketch where a jock gets bullied by nerds, picked on as he begins to eat an apple. Which is a lot funnier than it sounds.
There’s Jesus being crucified on the cross, delivering his great speech about being delivered into his Father’s hands… before being interrupted by one of the thieves being crucified alongside him, who’s just remembered something he’s forgotten to do…
There’s the jolly doctor who announces to his patient that he’s got nothing to worry about, and that he just has hives. “Hives? Phew! But isn’t that like an itchy rash? I haven’t got an itchy rash…” “Oh! Let’s see. Oh, my mistake, you’ve got A hive. Just the one.” “Phew! Well, that’s a relief!” “Yes, nothing to worry about… hmmmm… I thought ‘hive’ was spelt with an ‘e’ on the end…” Patient’s face drops. “Oh! I see! My mistake! It’s HIV! That’s make perfect sense!” Laughing aloud at his silly mistake, then sees how the patient is reacting. “Oh… I suppose that’s worse, isn’t it?”
There’s a sketch about how Sleeping Beauty could only be woken by a kiss of true love. Nothing else. So, essentially, the narrator explains to the prince, you could do whatever you wanted and she wouldn’t wake up. Which it then cuts back to later revealing that Sleeping Beauty was sleeping next door, and a hysterical Cinderella is shrieking at the prince “What was that? What the hell was that?” before sobbing to herself “That was nothing like Disney!”
There are few great moments where they sing. There’s a wonderful scene where a pervert in a trenchcoat is encouraging Bonnie Tyler to “turn around, Bright Eyes!” There’s a song they’ve written themselves about Making Love With The TV On, that lists various amusing shows to do so to. There’s their beat box version of some Dizzee Rascal (that is paired with another sketch which has its ‘big twist’ ruined). There’s their version of the Full Monty striptease that changes to the All the Single Ladies dance routine midway through (hilarious, and that’s before the big reveal at the end of the striptease!). And finally there are couple of songs performed by the comedians lying on their backs, wearing hoodies over their legs and manipulating them like puppets. Incredible stuff.
Very very funny. If their new stuff is anything like their old stuff, I encourage you go see them.
I went home to where my two of my flatmates were very drunk. My story about how Twitter had presented me with a really cool and unexpected opportunity was derailed by one of them, the comedy writer, saying how I only do stuff in order to write about it on Twitter, and how wouldn’t that be a great idea for a comedy character, or someone that apparently has all the answers and can be reached directly on Twitter? Or wouldn’t it be hilarious if you created a Twitter account and just came across as elusive and vague and difficult to actually Follow?  Which, to anyone who is on Twitter, probably sounds like the dullest bunch of ideas you’ve heard for a while, since there are hundreds of accounts out there like that already. And which was a bit of a dampener on a great night out because I think he’d have probably preferred hearing about the great comedy than trying to string together a few terrible ideas and then, being drunk and stoned, lose his thread of thought several times.
But there you go. Too much alcohol makes dicks of us all. Or makes us too honest. Perhaps that’s the same thing.
 Late Night Gimp Fight can be found here: http://www.latenightgimpfight.com

Late Night Review

Last night was the Harry Potter film premiere. A big spectacle. Lots of people were there. Many famous ones.

I didn’t go myself, but did see the crowds during the day. Crazy!

The day had been a little hectic. I needed to sort out some tickets at Victoria coach station, and so had headed out in torrential rain. I’d dressed for rain, with my jacket and boots. Still, it turns out it is actually summer, and horribly warm. Whilst I thought it’d be quite cool to hang around London for a little while (after heading to a few shops and deciding not to spend money on a few things I really liked), five or six hours in a coat exhausted me. The evening I decided would be spent doing some sorting out at my parents’ place. Fortunately I decided not to inform them, as I stumbled across a Tweet en route that made me change direction.

Someone was offering a spare ticket to anyone interested, to a comedy show at the Soho Theatre. I figured that other people might jump at the chance but that, if not, I could probably do so. When it appears noone else has offered to take the ticket I grab a tube to Oxford Circus.

Let’s be honest. The title Gimp Fight doesn’t immediately make you think ‘Hmmmm… that sounds like a fun night out…’ Well, perhaps one or two of you are raising an eyebrow and trying not to be excited by the idea. But the fact is I’d read a little bit about it before, possibly through the Twitterfeed of the person who was offering the ticket, and knew it was a comedy show, albeit it a dark comedy show. And sometimes it’s the random opportunities in life that turn into bigger opportunities and introduce you to a larger world of experiences.

ComedyNerd, or Carol as she is known in real life, is apparently a bit of a Late Night Gimp Fight groupie, having spent much of the week seeing the show multiple times already, having claimed the same seat in the front row as her own. She was so familiar with the material that she’d previously been noted as laughing prior to the jokes, and disrupting a reviewer’s viewing of it. I didn’t know what to expect, and the flyers all show a gimp masked man cradling a baby. Or perhaps it’s more the mask of a Mexican wrestler, but in a tasteful sombre black. Either way, it didn’t quite prepare me for the show. Nor did the signs warning of full frontal nudity.

Carol, and the friend she’d been waiting with (and whose name I’ve completely forgotten now because I tend to forget names I don’t see written down or hear repeated – sorry!) are big fans of the comedy circuit, and regular visitors to the Edinburgh Festival. Carol has a list of MUST SEE acts, and a list of prices. The total at the bottom was just under £200. That’s commitment to comedy! Her friend said she usually avoided spending more than a tenner to see an act. That said Late Night Gimp Fight tickets were £15. But absolutely well worth it.

We were the first to enter the theatre, and claimed our seats in the front row. The set looked amazing (a little like the sort of thing I’m trying to conjure up for my own play at the moment), being what appeared to be some sort of small flat, a room consisting of a kitchen and lounge area with doorway off either side, presumably to a bedroom (through a bead curtain) and bathroom (with a door). A front door stage left faced the audience, as did a couch in front of it, positioned so that it was lined up with a TV on the far left of the stage. There was an Apocalypse Now poster on the wall, and a selection of boardgames, books, DVDs and CDs on the shelves (notably a Never Mind The Buzzcocks game and a couple of book by Howard ‘Mr Nice Guy’ Marks). Cuttlery lined the kitchen counter draining board. All in all it looked like a bit of a student flat, but like one where the students did actually make a point of tidying up.

The scene is set when one of the five man troupe, a young bearded gentleman, walks onto the stage through the front door, throwing his keys across the kitchen counter. He switches lights on, slumps onto the couch, and picks up a remote control. We are then introduced to an element of the show that runs throughout – a TV screen is projected onto the back wall of the set to show us various Late Night Gimp Fight adverts. Usually these brief scenes, usually doctored adverts or song videos that end with the words Late Night Gimp Fight, offer a few seconds distraction whilst the lights are down and the comedians are running into position for their next sketch. This first time though, which sets the scene, has an advert for a charity. The two gentlemen explain how there are people out there being physically and mentally tortured. And that it is up to them to help look after such people when their masters and mistresses die. They are the Prevention of Prevention of Cruelty To Gimps. “Give a gimp a fish,” explains one man, “and he’ll shove it up his arse. But give a gimp a rod…” The man pauses, then continues… “and he’ll probably shove it up his arse too…”

Once the advert finishes the stage the comedians all appear for introductions, all wearing gimp masks (and including the young bearded man who has had a mask yanked over his head). They sing “Late Night Gimp Show” to the tune of Don’t Stop Believing, one of them on stage in a wheel chair as a special nod to Glee. After the song they introduce themselves to the audience and then announce the new female member of the group who we’ve yet to see. Which proves to be something of a disaster.

There are so many very funny sketches throughout, some of which I’ll try to recall because as a ‘Worst of’ compilation this is old material they’re performing before they go on to do their new stuff at Edinburgh.

There’s a sketch about the father of a four year old who is visited by his tactless friend. After this initial meeting where he casually mentions that his son has been killed they later reappear throughout the show, with the friend displaying his lack of tact a couple of times more.

There’s a sketch where a jock gets bullied by nerds, picked on as he begins to eat an apple. Which is a lot funnier than it sounds.

There’s Jesus being crucified on the cross, delivering his great speech about being delivered into his Father’s hands… before being interrupted by one of the thieves being crucified alongside him, who’s just remembered something he’s forgotten to do…

There’s the jolly doctor who announces to his patient that he’s got nothing to worry about, and that he just has hives. “Hives? Phew! But isn’t that like an itchy rash? I haven’t got an itchy rash…” “Oh! Let’s see. Oh, my mistake, you’ve got A hive. Just the one.” “Phew! Well, that’s a relief!” “Yes, nothing to worry about… hmmmm… I thought ‘hive’ was spelt with an ‘e’ on the end…” Patient’s face drops. “Oh! I see! My mistake! It’s HIV! That’s make perfect sense!” Laughing aloud at his silly mistake, then sees how the patient is reacting. “Oh… I suppose that’s worse, isn’t it?”

There’s a sketch about how Sleeping Beauty could only be woken by a kiss of true love. Nothing else. So, essentially, the narrator explains to the prince, you could do whatever you wanted and she wouldn’t wake up. Which it then cuts back to later revealing that Sleeping Beauty was sleeping next door, and a hysterical Cinderella is shrieking at the prince “What was that? What the hell was that?” before sobbing to herself “That was nothing like Disney!”

There are few great moments where they sing. There’s a wonderful scene where a pervert in a trenchcoat is encouraging Bonnie Tyler to “turn around, Bright Eyes!” There’s a song they’ve written themselves about Making Love With The TV On, that lists various amusing shows to do so to. There’s their beat box version of some Dizzee Rascal (that is paired with another sketch which has its ‘big twist’ ruined). There’s their version of the Full Monty striptease that changes to the All the Single Ladies dance routine midway through (hilarious, and that’s before the big reveal at the end of the striptease!). And finally there are couple of songs performed by the comedians lying on their backs, wearing hoodies over their legs and manipulating them like puppets. Incredible stuff.

Very very funny. If their new stuff is anything like their old stuff, I encourage you go see them.

I went home to where my two of my flatmates were very drunk. My story about how Twitter had presented me with a really cool and unexpected opportunity was derailed by one of them, the comedy writer, saying how I only do stuff in order to write about it on Twitter, and how wouldn’t that be a great idea for a comedy character, or someone that apparently has all the answers and can be reached directly on Twitter? Or wouldn’t it be hilarious if you created a Twitter account and just came across as elusive and vague and difficult to actually Follow?  Which, to anyone who is on Twitter, probably sounds like the dullest bunch of ideas you’ve heard for a while, since there are hundreds of accounts out there like that already. And which was a bit of a dampener on a great night out because I think he’d have probably preferred hearing about the great comedy than trying to string together a few terrible ideas and then, being drunk and stoned, lose his thread of thought several times.

But there you go. Too much alcohol makes dicks of us all. Or makes us too honest. Perhaps that’s the same thing.

 Late Night Gimp Fight can be found here: http://www.latenightgimpfight.com

Posted 6 months ago

There aren’t that many uplifting nu-metal songs, but this one always gets me. I’m currently in an internet cafe bouncing my head up and down to this. :-)

Posted 6 months ago

Killing Time In Camden…




It’s mid afternoon in Camden. I’ve met a friend working in the market, who has been handling a hangover and has been demonstrating to me which stalls he watches over, and the constant stream of young attractive girls that wander by. I’ve been to the shop that looks like it’s like an Ibiza club, were it an Ibiza club in the 22nd century – it’s all glow in the dark bits and edgy graphics and loud electro dance music that never fails to leave me leaving it with the impression I’ve just had a GREAT time. And I’ve traipsed alongside the canal and up and down the high street in glorious sunshine, feeling that okay, this is summer and I should take advantage of the good weather.


But these are not the reasons I’ve come to Camden. I’m here because another friend of mine, Tim, will be on stage at a comedy venue this evening. I’ve been going to quite a few comedy nights recently. A long time ago someone suggested I should go into stand up myself, due to occasional quick displays of wit people are taken aback to witness. Alas this would never work since there seems to be a requirement in stand up to stand up in front of people. And there so are many people much better at standing up than me.


The night starts at 8pm. It’s still mid afternoon. And I’ve started to exhaust my list of things to do to kill time.


“Do you fancy meeting up before 8pm for a drink?” I Tweet, to which comes a positive reply and a suggestion of 6.30pm. This is good, in that it means I have a whole hour and a half less to waste. It does still require me to find other things to do in the meantime. This results in more wandering around, towards London Zoo where I rejoin the canal and work my way back towards Camden. It’s a very nice little walk I’ve not really done much before, one of those few walks in London where you forget, for a moment, all the busy roads and see a more sedate side of things. It’s a slowed down pace. If not for the small groups of people using this route, or sitting down taking in the view, you’d think it was one of London’s best kept secrets.


The sun, by now, has decided it’s put enough effort in for the day and has hidden behind some clouds. There is a light breeze but then it is still warm, almost humid, and the breeze is welcome. I walk the pleasant walk back to Camden Town and eventually find myself sitting in Burger King, where I sip on a large coke. Catching sight of myself in a mirror, I figure the world has seen enough of my bare arms and put my jacket on. Once outside again it begins to rain, just ever so slightly, and it’s lovely and refreshing. It’s about 4.30pm. I still have two hours to kill. I shall go to see my friend in the market again.


My friend in the market smiles when he sees me return, and is rolling a smoke to take a break. He introduces me to some of the people he works with. But we seem to have run through most topics of conversation from our previous catch up. Furthermore it was sunny then, and the talk was of lighter topics such as girls in the market, about comedy clubs, about getting out of repetitive situations. “I used to go swimming,” he confided earlier , “three times a week. I think I need to get back into it.” I nodded, knowingly. “Yes, I’ve been thinking of maybe joining a gym or something. I’m getting a bit of a belly.” I patted my very small belly, just for emphasis. A lady my friend was selling a picture to looked at me with a small measure of amusement. I do not look fat. I look wirey.


With the rain conversations seem to have taken a slightly darker edge. Apparently there was a stabbing recently, one of the security guards having gone to hospital after being slashed with a knife. My friend wants to get out. Already he has earned himself an evil nemesis in the form of a young girl he has caught trying to shoplift a number of times. She’ll still pass by on occasions. Scowling. My friend wants out. He doesn’t feel safe.


A girl who he has just introduced me to, who works at a nearby stall, is looking decidedly uneasy with this topic of conversation. “No, no,” he attempts to reassure her, “you’ll be fine!” She smiles, nervously.


The market is winding down. It is nearly 5pm. An hour and a half to kill. I say goodbye to my friend. I have a plan. I need to pick up some tickets from Victoria Coach Station before the weekend. Why don’t I do that now?


On the bus journey there, the light rain pattering on the windows, the air-con turned up to eleven in a bid to make the bus sound like a hovercraft at full speed, I reflect that today has been a really cool day. I’ve spent much of it catching sunshine and reading, taking advantage of some unscheduled down time between freelance work commitments. I’ve enjoyed exploring parts of London I’ve not been to for a while. I’ve been able to have some quality me time that doesn’t involve going to shops and spending money. I feel cosmopolitan, I feel at one with my city and, by extension, the world. It’s been a lovely sunny day and now the rain is washing away the intense heat and letting things settle for a more relaxing evening.


It’s been a really cool day, I reflect. But a big part of me doesn’t feel like I’ve earned it. Or perhaps more than that it feels as if I’m having a really cool day at the expense of others.


The bus journey takes longer than expected. I disembark at Trafalgar Square to catch the tube. But even on the tube I don’t get to Victoria tube station til ten minutes to six. And Victoria tube is already congested. I figure that if it’s taken me 50 minutes to get here from Camden, despite the fact the travel gods were smiling on me and ensured the correct bus turned up at the right time, that tube trains were arriving on their platforms just as I reached them, if it takes another 50 minutes to get back to Camden I will be late. This doesn’t even factor in the ten minute walk up the road to the coach station and the further five-ten minute interaction with a ticket machine. Looking at the crowd of rush hour commuters in Victoria tube station I think that perhaps the best thing to do is take the Victoria Line back in the direction of Camden. And that at least the journey to Victoria has been a nice distraction, and afforded me some time out of the rain to read some of my book.


The return journey takes me 20 minutes. I am now in Camden again with time to kill. Oh, how I laugh.


At 6.30pm I turn up at the Black Heart bar that has a big neon red crucifix on the wall and pictures of Jesus Christ on the wall, alongside pictures of skulls. It is a place I later remark to someone as not perhaps being the best place anyone would ever bring a first date to. My friend Tim is already here, and not alone; our mutual friend Tara sits with him in a booth and it is she who sees me first. I get myself a drink and drift over. We exchange pleasantries, discuss various writing and comedic projects, and other random events about town. I’ve not known these two very well and so by way of introduction they tell me of various drunken activities. They mention something called Underground Bingo, which may well be to Bingo what Fight Club is to Taking A Work Break, but essentially sounds like a themed Bingo night where everyone get very drunk first. “We’re very much in the upper age range of the people who turn up to these events,” Tim tells me. “Some of the younger members said he looked like Elton John,” Tara confides, “He wasn’t happy.” I nod my understanding. Who would be?


We order some pizzas as more friends begin to turn up for the evening. My pepperoni pizza is the first to arrive. It’s not the finest pizza I’ve ever had, the pepperoni having a higher than usual amount of pepper, oil and gristle in it. Two pizzas for my friends turn up shortly after. Tim has opted for the vegetarian pizza with artichokes, pine nuts and rocket on it. Tara has gone the tried and tested route of a pizza with classic cheese and tomato elements. She looks at the mountain of rocket on his pizza before admitting “I’m with Jason on this one. If you need pepper on your pizza just put pepper on it. Don’t cover it with peppery leaves.”


“But I like rocket!” Tim exclaims.


“After all,” I point out, “he’s a rocket man.”


I can hardly believe the joke has fallen into my lap like that. Tara points out that all that was missing was a little baddumm tishhh!


That night in bed, after a good day out, I feel a little ill. I put it down to my pizza and its dubious spicy meat topic. I reflect that, after having a good day I didn’t really earn, I probably deserved that.